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32 Gig, is perfectly adequate, apart from use with CoronaYes, it's the most important corona problem for production use. I hope in version 2 will solved.
Another thing that popped in my mind is that I have a glass with glossy refraction behind the camera, set up like you can see in the screenshot.On my opinion yes, because of the volumetric scattering.
Can that be one of the problems?
Material editor seems to be really slow. Last couple of updates seem to have effected it.If you have corona camera in scene, try to delete it and check again. I think the problem is the continuous refresh in the viewport due to a camera bug.
Takes some time to render out the material shader ball.
Reverting back to 1.6 working versionOn 1.6 for me works well, but i prefer use it on 1.7, obviously.
Thank you romullus, this is the solution i need.The "affect diffuse" checkbox for the lights, very useful for example when i need only extra reflection on material.
Use CoronaLight material with unchecked emit light option - does the same.
No, the beauty with backplate won't be there as we are using the "for compositing" mode of shadowcatcher.Right, i undestand.
But you can just drag and drop the backplate in PS or other software, right?
Can you explain or post examples of this problem?My english is so poor, and mybe i dont undestand well the workflow in shadowcatcher, but in my opinion the best way should be to calculate the alpha mode for compositing in one go togheter the solid or trasparent mode.
Not sure if this is the solution you need, but a CMasking_Mask element will give you a solid mask for your shadowcatcher, in one go:
