Chaos Corona Forum
General Category => Gallery => Topic started by: pmcf1981 on 2019-03-05, 20:10:35
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hi guys
some moodboards i have made ... focus in testing bump-displacement reactions .
hope you like..
(https://mir-s3-cdn-cf.behance.net/project_modules/1400/874f5777133029.5c7ebb4008629.png)
(https://mir-s3-cdn-cf.behance.net/project_modules/max_1200/1b8b0c77133029.5c7ebe6781eab.png)
(https://mir-s3-cdn-cf.behance.net/project_modules/max_3840/14a6e177133029.5c7ebf05c8a9f.png)
(https://mir-s3-cdn-cf.behance.net/project_modules/max_3840/cc167477133029.5c7ebb4008b89.png)
(https://mir-s3-cdn-cf.behance.net/project_modules/max_3840/62970377133029.5c7ebf05c90ff.png)
(https://mir-s3-cdn-cf.behance.net/project_modules/max_3840/7e118177133029.5c7ebb4008159.png)
(https://mir-s3-cdn-cf.behance.net/project_modules/max_3840/3f739777133029.5c7ebb4009206.png)
(https://mir-s3-cdn-cf.behance.net/project_modules/max_3840/7e646e77133029.5c7ebb4008f96.png)
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absolutely amazing, bravo!
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Just to clarify, these are all Corona renders, all done by yourself? Just asking because a moodboard (to my thinking) is usually a collection of photography (or renders) by others and is used as inspiration for mood, lighting, feel etc. when working on a render.
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Just to clarify, these are all Corona renders, all done by yourself? Just asking because a moodboard (to my thinking) is usually a collection of photography (or renders) by others and is used as inspiration for mood, lighting, feel etc. when working on a render.
That's a valid question when dealing with this user
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hi guys
I understand ... sometimes, interior designers create moodboards and take pictures normally from the top.
But moods usually have wood samples, fabrics, materials metals (objects) .. which helps in a way to see an overall environment of how you will stay.
Some clients ask for mood ..
Some clients request moodboards even at the end of the process, to use other media publishing pictures ..
Either way is always source inspiration colors and shapes ....
This was not for a client ... but since corona 3 ,displacement and bump take a good boost ...
I wanted to see the reaction of materials closely ... even then ,I think with more time it was better results...
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Cool, I hadn't realized they were all Corona renders from the name :) Good to know!
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pmcf1981, I'll share my light rig if you share yours ;)
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pmcf1981, I'll share my light rig if you share yours ;)
the light is very simple :) ... just some planes .... but if you whant i can prtscn same images if help ....
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pmcf1981, I'll share my light rig if you share yours ;)
the light is very simple :) ... just some planes .... but if you whant i can prtscn same images if help ....
Please do!
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I hope this help in anyway .. :) some printscreens
pmcf1981, I'll share my light rig if you share yours ;)
the light is very simple :) ... just some planes .... but if you whant i can prtscn same images if help ....
Please do!
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Light RIGS do not exist, you just experiment and try to do everything to make it look good. Also it depends what kind of style you want to achieve.
One light rig for one interior will not fit the other one, if it will be unique to the previous one.
People who ask can you please give me your light rig it looks amazing, I want to use it for my interior/exterior. They do not know that it might not work for his unique project.
So always try to experiment. + with corona interactive rendering it became quite easy :)
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i agree 100 % .... i just take some PRtscn to help becouse someone asks, and show how simple is .... for this i only need top view images like moodboars.
it is simple , so light is simple to .
each scene is different ..
it has many variables : window size ... sun light ... .hdri .. floor, roof, walls ... (propagation light GI) everthing ...
always needs some adjustments and compensations.
Light RIGS do not exist, you just experiment and try to do everything to make it look good. Also it depends what kind of style you want to achieve.
One light rig for one interior will not fit the other one, if it will be unique to the previous one.
People who ask can you please give me your light rig it looks amazing, I want to use it for my interior/exterior. They do not know that it might not work for his unique project.
So always try to experiment. + with corona interactive rendering it became quite easy :)
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Awesome man thank you! Yea that's what I meant, a rundown or screenshot. I've been doing a lot product photography shots lately and always find it interesting how other artists achieve their look.
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Lately I've been experimenting lighting with just a room's window and bounce cards. Instead of light objects I'll poke holes in the wall and scale them up and down like an aperture to get the right mood. It's been working ok, I've found it's harder to get refractions to pop and it's not as easy to control directionality, but you can always sweeten up an area with a 'real' light.
(https://i.imgur.com/i7rS9As.jpg)
edit: How do you create your textures?
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hi actrask ...
bounce cards to help propagate light ??... i think i used one time... clever :) ....
white bounce cards help propagate light (gi) and i think black bounce cards absorbs light..
my materials is very simple texture difuse with corona correction ... some bump and some displacement.. in some cases gloss reflection map in some material like wood ..
later on i will prtscn some mats .. but i like very mutch your render. very realistic .. i thing that made is little more bump or displacement in wood ...
Lately I've been experimenting lighting with just a room's window and bounce cards. Instead of light objects I'll poke holes in the wall and scale them up and down like an aperture to get the right mood. It's been working ok, I've found it's harder to get refractions to pop and it's not as easy to control directionality, but you can always sweeten up an area with a 'real' light.
(https://i.imgur.com/i7rS9As.jpg)
edit: How do you create your textures?
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Thanks man! Yea the wood is super flat, this is still a WIP. I'm realizing more that a lot of the 'realness' in a shot comes from the material. I find myself overlighting a scene to make up for bad textures, when I need to just get a correct texture. This becomes really important with close-up photography. I'm glad that Substance and Quixel are tackling this issue, I just wish I had more time to dedicate to that.
One thing that's really helped me I recently learned with materials is to keep the reflection and gloss values at 1.0 and control the value via maps. That and keeping the IOR between 1.333 and 1.5 for non-metals.
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really good finishes set images!
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this is awsome stuff!!
keep it simple